My preoccupation with the perfect space between two beautifully constructed letters is thrilling, almost like pursuing the universal truth. It must be the left-handedness in me, causing compulsive obession to run through my brain and my pen. My hand lettering speciality is based on the ancient italic script "Copperplate" writing style, but I like to develop my own styles inspired by everything from architectural lettering to old French schoolbook labels.

The beauty of a handwritten piece—whether it is a manuscript, invitation, business/calling card or historical document—has fascinated me for years. I love hand lettering wedding invitations for brides-to-be and incorporating calligraphic elements into logos for those who are looking for a new way to present their business to the world. The gracious reserve of hand lettering is a powerful form of distinction, especially in these times of insistent advertisement and cursory communication.

inspired by the San Francisco gift shop whose logo captures the look of old French schoolbook labels. black gouache with pointed pen.